Wow! The last couple of months have been a very exciting and busy time for me. I finished Animation Mentor at the end of March and immediately hit the ground running to try and find my first job as an animator. I was extremely lucky in my timing and was fortunate enough to land a position as a Character Animator for Wizart Animation! I am under an NDA so I am not legally allowed to say very much about what I am working on. But, what I can say is that I am working remotely for the TVShows department on an upcoming children’s television show titled “Yoko”. I am extremely fortunate to have this opportunity to work on such an awesome project while living in an area with essentially ZERO animation industry. I am working alongside so many talented animators and it has been inspiring every day to work and learn from each one of them.
During my off-hours I have been slowly starting to work on a new personal shot for my demo reel. One thing I learned while at Animation Mentor was to continue to improve and stay hungry, even after you get your first job. It can be very easy to get comfortable just animating in the style that your job or current show requires. However, in order to stay relevant and competitive for future jobs you need to constantly be improving and working in various styles. It is important to show you can animate in a wide variety of ways because every project is different and you don’t always know what your next project will be. Since the show I’m working on is a much different style of animation from feature film quality work, I have began a new acting shot using a brand new rig from Long Winter Studios called “Argus”. I am really hoping to improve my close-up acting and facial performance with this shot. It has been a ton of fun working with this new rig, and I am really enjoying it so far.
Below is my very first pass of blocking; I have done very little animation on the face, only enough to show eye-direction and get a general idea of some of the blinks. I wanted to get the subtle body animation worked in first. I am learning that animating such a subtle piece is actually quite hard. As animators we often want to have things move a lot, but it is pretty difficult to keep a character still and make sure that they feel alive at the same time. With this shot, I’m already learning how difficult it can be to keep a character alive during a long silence. I know I will learn a great deal from this piece. Stay tuned for a new update, hopefully next week!