AM Class 4: Pantomime Blocking

Week 2 has just come to an end and I have just finished my first pass of blocking on my pantomime shot. After getting some really excellent feedback and notes from my mentor during my eCritique. I managed to come up with what I think is a pretty solid start for my shot. The biggest notes I addressed from my planning and video reference were that it was too long, and I needed to shorten it even more to make it as simple and clear as possible. Joe offered some really good suggestions of ways I can simplify the shot to really make the characters internal thought process read more clearly.

First Pass Blocking:

Workflow Notes:
Throughout the week, I also paid very close attention to my workflow on this shot. As I continue to grow as an animator, I’m always trying to perfect my workflow to make myself a faster and more efficient animator. On this shot, I took the advice of one of our lectures by Dave Burgess (Head of Character Animation at DreamWorks). His method was when posing the character to really take the extra time and pose every part of the character, even in the blocking. He encouraged going into the details of the fingers, the eyes, face etc. I tried extra hard to make it so every single pose in my blocking was very clear. I didn’t worry about timing at first, I just posed the character out every 4 frames very evenly, then after I was happy with my poses, I got some feedback and tweaked them some more. Next, I went in and did a rough timing pass, where I took the poses and shifted them around on the timeline adding holds where they needed to be. Then I sought more feedback and continued to tweak away until you see what is above.

So far this workflow seemed to work really well for me in terms of getting work done faster. I was only thinking about one stage at a time, first posing, then timing, then spacing.

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